If you started the scale pattern on the third fret of the sixth string, it would be the G minor pentatonic scale, since you started the pattern on the note G. You can use this pattern to play the minor pentatonic scale anywhere on the guitar fretboard. The note after that would be at the 22nd fret. So, in this case, the next note of the scale would be up three frets, or all the way up to the 20th fret. ![]() Since the first and last notes of the pentatonic scale are the same note (an octave up), you can just begin repeating the pattern to play further up the string. Now, try playing the scale again, except this time, when you get to the 17th fret, try playing up the scale one note higher. it should sound like it "fits" the scale you just played. you've just learned the A minor pentatonic scale. Keep doing this until you can play the scale pattern by memory.Ĭongratulations. Once you've done this, try playing back down the fretboard, in reverse order, until you arrive back at the fifth fret. If you counted correctly, you should be at the 17th fret of your guitar. This last note should be the octave of the first note you played. Finally, move up two frets, and play that note. Now move up three frets, and play that note. And, then move up two frets again, and play that note. Then, move up two frets, and play that note. Then, slide your finger up three frets, and play that note. This corresponds to the first note on the bottom left of the accompanying diagram. ![]() Start by picking a fret on the sixth string of your guitar - let's try the fifth fret (the note "A"). In order to learn the minor pentatonic scale patterns all over the guitar fretboard, we must first learn the scale on one string. You're comfortable with some scale memorization.You've memorized the note names on the sixth and fifth string.You've already learned to play the blues scale.You've been trying to play some "lead guitar", and are looking to learn more.This can be tricky to understand at first, but will become clear with practice. One of the beauties of the pentatonic scale on guitar is that the major and minor versions of the scale have the same shape, they're just played in different locations on the fretboard. The fewer number of notes in the pentatonic scale can be helpful to the beginner guitarist - the scale omits some of the "trouble" notes found in traditional major and minor scales that can end up sounding wrong if not used properly. This differs from many "traditional" scales, which often have seven (or more) notes. Guitarists with an interest in learning to play lead guitar must learn their pentatonic scales.Ī pentatonic scale consists of just five notes. The pentatonic scale is used both for soloing, and for basing song riffs around. The pentatonic scale is one of the most commonly used scales used in music. I hope these licks spark some creative ideas for you and open some new doors in your playing.In the following lesson, you'll learn to play the major and minor pentatonic scale in five positions, all over the guitar fretboard. I tend to use it in solos, but I’ve found it works just as well on the lower strings for writing riffs. This one string scale approach can be used in all types of musical contexts. By accenting the slides, it will sound cleaner and more modern. ![]() To take this lick to another level, really try to accentuate the slides between positions. This is accomplished by doubling up both notes of our original pattern with their lower octaves on the D and G strings. Moving on to our final example, EXAMPLE 5 takes this concept a step further and expands it into a four-note sweep pattern. Stick to the original scale pattern and you’ll have this lick down in no time. The trick to keeping this simple is only thinking about the note you’re playing on the B string. For this example, utilize the pattern EXAMPLE 2, but double up the highest note of every pattern with its lower octave on the G string. Once you have this example down, try moving it down two frets to the E and A strings.ĮXAMPLE 4 is where things start to get interesting. Be sure to use the same fingering as the prior examples. This adds to the cascading sound of this technique and creates a great effect with minimal effort from your left hand.ĮXAMPLE 3 is nearly identical to EXAMPLE 2, just moved to the D and G strings. This time, the sequence is down two notes in the scale followed by one note up in the scale. For EXAMPLE 2, I play the same pattern and scale, but in a different sequence.
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